Just received the great news that my composition Roseherte for orchestra and electronic sounds will be played by philharmonie zuidnederland during the opening of November Music 2014. It is a great honor to be making a new arrangement for the opening night on 6 November 2014, that will also feature works by Kate Moore and Juan Felipe Waller.
The new instrumentation consists of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2, trumpets, 2 trombones, tuba, harp, 2 percussionists, piano, strings (6 first violins, 6 second violins, 4 violas, 4 cellos, 2 double basses), and electronic sounds (1 player). This means that the instrumentation is to be reduced from ninety to forty-two players – not an easy task. I shall be looking forward to analyzing the composition, and to the new arrangement, using all microtones that were originally calculated. In the original score the microtones were omitted from the first movement for reasons of pragmatism (not in the electronics, though, so the absolute non-approximated frequencies are still audibly present). Microtones were only used in the second movement of the score, once the lush spectral harmonic fields make their appearance. Trying to compensate somehow for the smaller number of available voices, I am now going to arrange the first movement microtonally as well, and hope to thus enhance the inner resonance of its harmonic material.
Already working on three pieces to be premiered in October & November 2014: new pieces for Bozzini Quartet, Nieuw Amsterdams Peil, and Amsterdam Sinfonietta. It is an exciting, as well as a little bit intimidating, year!